Join John Salminen AWSdf, NWS as he uses the language of design to build a complex layered abstraction.

Craig Nelson uses his quick studies approach to develop a portrait of an in-studio model, in a logical manner, from a line drawing to a beautiful three dimensional portrait. Craig discusses and demonstrates: lighting; preparing the painting surface; developing a ghost drawing to a final drawing; color selections; blocking in skin tones and hair; subtle adjustments to achieve lifelike flesh; when not to refine your strokes; and delicate brush work for successful hair.

Stop staring at blank canvas and start painting. With Craig Nelson’s simple method for still life, you’ll overcome your hesitation and kick start your career in oil. You’ll develop foundation skills, create a path for improvement, and even save money at the art store. You’ll build an affordable kit as Craig walks you through essential materials and navigates the pitfalls of store displays. You’ll learn to paint vibrant scenes with only four colors and four brushes.

"Billy Showell's inspiring watercolour flower portraits have earned her the respect of watercolour artists all over the world and now she is sharing them with you in this stunning double video.

Billy Showell will show you how to complete beautiful flower portraits with the same degree of accuracy as traditional botanical paintings but with a unique contemporary feel.

"Billy Showell's inspiring watercolour flower portraits have earned her the respect of watercolour artists all over the world and now she is sharing them with you in this stunning double video.

Billy Showell will show you how to complete beautiful flower portraits with the same degree of accuracy as traditional botanical paintings but with a unique contemporary feel.

Virginia Cobb uses acrylic painting techniques to develop three abstract paintings, each started by emphasizing a different design element: line, shape, texture. In the first half of her abstract painting video, she builds a rich under structure. She creates, destroys, and creates again unpredictable shapes, textures and color combinations. In doing so she establishes multiple layers of depth and mystery.

Get a great start in acrylic landscape painting with award winning artist Hugh Greer. The beginning level acrylic painting lessons in this instructional video, Acrylic Landscape Painting: Tools & Techniques, will get you excited to take your acrylic painting to the next level! Learn Hugh Greer's acrylic painting style and the techniques and tools he uses in his landscape painting. Hugh Greer demonstrates the flexibility of acrylics as both an opaque and a transparent medium.

Join Charles Harrington in Acrylic Landscapes, the Watercolor Way and learn how to capitalize on the unique advantages of acrylics including the ability to layer opaque, translucent and transparent effects. See how he combines the subtle color shifts and luminosity of watercolor with the durability of acrylics. In the DVD workshop, Charles Harrington AWS DF, ISAP draws on the best features of both acrylic and watercolor in his acrylic landscape painting workshop.

Sponge, scrape, and stamp every ounce of color out of your acrylic paints with textile artist Sherrill Kahn. In this mixed media DVD workshop, you’ll discover textures that enliven any paper or fabric project, from collages to clothing. With no brushes or drawing skills required, beginners will feel welcome, and experienced artists will find quick and innovative ways to add color to collage.

Join Jacqueline Sullivan as she demonstrates the unlimited possibilities of collage. Learn the proper way to layer tissue, cheesecloth and aluminum and which medium to use for each texture. Jacqueline clearly explains the differences between Golden mediums. In addition to stencils and metallics, she incorporates everyday household items. This DVD is perfect for collage artists of any level and style.

In the first project Mary strives to achieve order out of the visual chaos of a garage sale. She uses a view finder to isolate her subject and proceeds to simplify the objects into more basic shapes. Mary simplifies subjects in a line drawing then builds a foundation of bold, transparent pigments. She caps the painting with opaque layers and textures enabled by her acrylic process. She introduces concepts like linkage, abstraction and simplification.

Many artists start the exploration of their chosen medium by creating reproductions of stationary object or scene, such as still life subjects or landscapes. There is something comforting about being able to refer over and over to the scene or reference photograph as you take the time to get every line and curve correct.